‘Wild Thing’ by Linden Lancaster 2014 15′ x15′

I was stuck for a long time on this theme. I started off doing fish prints with mono-printing and thickened dyes. Although the results were interesting, I felt that they did not interpret the theme well enough. Keeping with the sea theme, I remembered seeing the sea dragons at the Melbourne Aquarium. These little creatures were both ‘in the wild’ and looked ‘wild’. A much better choice.

I guess I chose my ‘go to’ technique- raw edge applique to interpret the subject due to time restrictions. I could have employed many other different techniques, such as printing, reverse applique, etc. which would have been more experimental.

The background fabric is fairly muted, as I wanted the main subject to stand out. I used an old piece of cotton that I silk screened with thickened dye and paper shreds. I was in two minds as to the choice of colours. In my mind’s eye I saw bold, mardi gra type colours, but I could not bring myself to deviate from the original colours too much. My intention was then to get as much luminosity happening as possible.

In most of my pieces I like to let the fabric do most of the work. I chose an almost fluoro hand dyed yellow cotton for the main body, and then drew in the stripes with a combination of Inktense pencils and metallic paint. I am always careful not to overdo these effects.

‘Wild Thing’ detail by Linden Lancaster 2014

The leafy parts were cut from deconstructed fabrics and punched up with the media. I used Tsukineko all- purpose Inks for the shading and highlights.
I chose my new favourite polyester variegated thread- ‘Rainbows’, by Superior to both quilt and sew down the edges in one go. The same colour was used for the whole figure, to add some unity and I think the orange complements the blue/green leafy fin things well.

To keep it subdued, the background was then free motioned quilted with a matching colour. I used a contour type quilting to imitate water. I trapped a few Angelina fibres in the quilting for light to catch now and then. I’ve never used this stuff before as I think it can look tacky! It does not really show up on the photo.
As I did not want to add anything to the edge, I used a facing to finish off the piece. I think I need to find some other interesting ways of finishing off edges. I could have perhaps added some beads or sequins along the quilting or even in the dragon’s hair do to add some more pizazz.

I was a bit concerned about the composition being too boring. The main element is plonked right in the centre like a botanical print, which is ok, but perhaps I could have been more creative and had a more cropped view, or a little group of dragons. Perhaps I could have even abstracted their shapes. Ideas for the future…

‘Don’t Judge a Book by its Cover’ by Linden Lancaster 2014

Dear Book Lovers (and others),

Have you ever been sucked in by a book with a gorgeous cover, only to discover its substance was rather disappointing? Perhaps the blurb on the back sounded exciting? Were you swayed by the stickers that advertised ‘Good Read’, ‘Award Winning Author’ or ‘Top Ten’?

Conversely, have you ever discovered a wonderful story in a dull and understated cover? Perhaps it looked like any other book? Have you ever discovered a treasure in a second hand book shop that was a bit battered and worn?

As a school librarian I was amazed how many children overlooked terrific stories because the covers looked old fashioned, ordinary, or (God-forbid) a bit tatty.

People are like books. Some look flashy, capable or super intelligent. Others seem true until you scratch the surface. Others are, shall we say, a bit rough around the edges. Some of the best and most influential people in my life are the ones in plain wrappers.

In this piece I have depicted myself. I’m a little plump, and plain. I’m not young and shiny anymore. I could be any one’s mother, sister or wife. I look ordinary and you probably would not pick me up if I were a book!

But, if you look under the surface, I have much to tell. My life experiences, values, faith, creativeness, skill, my loves and losses. I am unique.

What is under your surface?

Techniques:

Raw-edged applique, black Inktense pencil, photo printed on printable fabric.

‘Don’t Judge a Book by its Cover’ by Linden Lancaster Detail1

‘Don’t Judge a Book by its Cover’ by Linden Lancaster 2014 Detail 2

When I first came to Picola to visit my boyfriend ( and future husband), Cameron Lancaster on his 5th generation farm, I thought I had come to the end of the world! There seemed to be nothing to make it stand out amongst all the other tiny towns in Australia. Hot dry, dusty, flat, no shops, no anything! The nearest University was two hours drive away.

When I married Cameron and shifted into the area I tried to have a positive attitude, saying things to myself like: “bloom where you are planted” and “love can cover a multitude of sins”.

Twenty six years later I can say that I truly love this place and the people in it. I’ve become like Ruth in the bible when she says in verse 1:16 …”Where you go I will go, and where you stay I will stay. Your people will be my people…”. After you have been here for a while you discover that there is so much richness. There is history, there is a community that looks after one another, there is beauty all around from the tiniest native Chocolate Lily to the rare Superb Parrot, to the majestic River Red Gum, hidden away in the forest. I even love the Peppercorn trees!

My daughter Erin and her husband Lachlan will be performing ‘the Picola’ song’ at the exhibition opening. Her lyrics beautifully describe how she sees the beauty of her hometown shining through the ‘cracks’. Tammy Muir, our famous local bush poet, will also be performing ‘Ode to Picola’.

The Picola Song                                          by  Erin Lancaster, Lachlan Heycox and Austin Lancaster

Don’t know what’s changed since I was thirteen
In that old dusty town where I grew up
But I’m on my way
Like an abandoned movie set
In an out of date western once relevant
Now it’s full of cracks

Cracks in my mother’s forehead as she embraces me on the verandah
It’s been a while

Chorus
As flat and dry as sunburnt toast
Every time I come home I see the cracks
But the sun still spills over everything
And I smile and love seeps through the cracks

The pub’s been up for sale for years
The station rusts as men sit around
But don’t say a word

Teenage mothers teach their kids to swim
In the public pool now clogged with bugs
Their smiles make cracks

Chorus

The chemist lady asks me how I’ve been
Living in that big city following my dream
She knows my name

I’m missing my ticket for the morning bus
The bus driver opens the door and smiles and says
I’ll get you home

‘Blue sky, red dirt, yellow billy buttons’ by Linden Lancaster 2014 30 x 32 inches

The above quilt called ‘Blue sky, red dirt, yellow Billy Buttons‘ is a piece I have just finished for the above  exhibition at the G.R.A.I.N store, an art gallery in close-by Nathalia.

I have used a linocut of billy buttons (Picola is not know for billy buttons but there are a few that grow down our road) as a starting point. The work was then pieced together with hand dyed fabrics. The quilting added more line and texture over this improvised pieceing. This is a first piece in hopefully a series on these gems.

For further information in the G.R.A.I.N store:  http://www.thegrainstore.org

‘Blue sky, red dirt and yellow billy buttons’ detail 1 by Linden Lancaster 2014

‘Blue sky, red dirt and yellow billy buttons’ detail 2 by Linden Lanacster 2014

This is a detail of my latest quilt ‘Michellia 2’, which I have entered into Australia Wide4 with Ozquilts. I wont know until August if it’s been selected.

‘Head-space’ 15′ x15′ by Linden Lancaster 2014

‘HEAD-SPACE’

How do we react when we feel trapped in a negative situation? Our thoughts will determine how we respond. Perhaps we might:
Ignore it and put our head in the sand?
Curse and rant about it?
Worry and fret until we make our selves sick?
Become resigned to it?
Hide?
Become a ‘Pollyanna’?
Analyse it?
Pray about it?
Become comatose?
Run around trying to fix things

Perhaps all of the above?

This piece was designed from a simple exercise of cutting a circle into 16 pieces and playing with the parts while keeping the integrity of the circle. The white is meant to represent the negative space in this instance. Windows were cut out of the black fabric and then fused over the white background. The figures were quilted with a free motion foot through the three layers with heavy black 40 black thread.

‘Head-space’ detail Linden Lancaster 2014

‘Head-space’ detail by Linden Lancaster 2014

THE GRAIN STORE is a not for profit art gallery in Nathalia,  Northern Victoria.

This is a dynamic survey exhibition of art work from around the Moira Shire. This exhibition brings together painting, drawing, mosaics, textiles and printmaking from Picola, Barmah, Numurkah, Yarrawonga, Nathalia and Cobram.

The following is a still life triptych which I have made specially for this exhibition. Each piece is A3 size and is based on the Michellia flower from my country garden. I borrowed the little statue from my sister!

MICHELLIA 1 2014

Six Gouldian Finches by Linden Lancaster 2014

As a school child, I was encouraged to join the ‘John Gould Bird League’, and as a result I grew in my awareness and appreciation of birds.
It is appropriate that these beautiful jewel-like birds carry the name of this amazing and influential naturalist.
Gouldian finches are indeed a kaleidoscope of living colour!
Techniques & Materials: Pieced background overlaid with raw-edge applique.
Free-motioned quilted with rayon thread on a domestic machine.
Mostly hand dyed and ‘surface enhanced’ fabrics, including the use of thermofax stencils and a small amount of fabric paint.

This exhibition, curated by Brenda Gail Smith, will be travelling to places in Australia, New Zealand, France and USA. For more details look up the ‘Living Colour’ website.

A beautifully presented small format catalogue is available on Amazon displaying all 32 quilts and artists statements.

Six Gouldian Finches, detail