This is a new workshop using a simple collage technique and free-motion quilting. Jacquie is my sister’s cockatiel and was a wonderful subject to play with. Two day class, approx A3 size. Use your own colour palette or bring your own bird design.
For more information you can download an information page from ‘Classes’ section, above.
I’ve been having a little break from quilts the past few months. Painting and drawing is a good way to fill the well and I have been participating in a lovely online class with Carla Sonheim called “Y is for Yellow”. The following are mixed media 6 x 6 inch bird portraits from my own photos (apart from one). These will be part of my exhibition in Kyabram in October this year.
I’m delighted to announce that my quilt ‘Calendar’ has been accepted for the SAQA Global Exhibition tilted “Season after Season”. The exhibition opens at the Texas museum USA in Jan 2019. I was most surprised as I was not entirely happy with the end result, but then I had got a bit sick of it and perhaps my judgement was off!
‘Calendar’ by Linden Lancaster 2018
There will be a display of 15 of my quilts at ‘Jeff’s Shed’ in Melbourne, July 26-29, as part of Victorian Showcase. Its a fabulous event if you have not been before, with plenty of quilts and shops galore. Thank you to all those who have let me borrow their quilts back!
Thank you Cohuna Country Quilters’ group, for inviting me to teach at your wonderful annual event. Great food, great people, great teachers and superb organisation. I recommend this event to quilters of all kinds.
Below are participants with their creations from my class ‘Pictorial ideas into Quilts’. Thank you girls for your enthusiasm and willingness to be subjected to all that design theory…….. and Anne is the most awesome angel!
The dining hall decorated with quilts from Pakistan
Terrific works of art…..I hope they finish them……..
I was excited to be a finalist in the above exhibition and attend the opening last Tuesday night. The event was well attended with high quality works presented.
I was quite ambivalent about whether to enter my piece, as I felt it was quite experimental and, therefore, not quite up to my usual standard. I had to really push myself to finish it; and I’m glad I did as I learnt a lot from the process.
‘Fly like a bird and look down on the tidal flats where exposed shells and assorted seaweed are strewn on the sand. Or bob along in your boat looking across the waters, where the light and reflections dance together, to the shoreline and mouth of the tidal river.’
These two perspectives are overlaid.
Process and Materials:
This piece is an experiment in layers and transparency. There are five layers of process, beginning with thickened Procion dye monoprints of two similar landscapes in different colours. These were then torn into strips and woven together and fused to the top of the quilt sandwich. The piece was then stamped with fabric paints using found objects, such as cardboard tubing and a plastic cotton reel. The fourth process was the quilting, and lastly, painted organza added with metallic thread.
Cotton whole cloth, organza, thickened Procion dyes, fabric paints, foils, cotton and metallic threads. Quilted on a domestic machine.
‘BORDER TOWN’ by Linden Lancaster 2018
‘Border Town’ by Linden Lancaster
I grew up in the border town of Echuca where the Murray River divides Victoria and NSW. I spent many hours on the river – a scruffy, suntanned girl – swimming, fishing and riding my bike up and down the goofies with friends. Sometimes we would construct cubbies in the shadow of the bridge when the river was low.
My first kiss was under that bridge, bridging childhood into adolescence. Forty years later, the painted graffiti of first crushes are still being proclaimed from the bridge pylons and framework.
Raw edge applique with hand designed and commercial fabrics and organza. Machine embroidered with polyester threads. Domestic machine quilted with cotton threads.
Detail 1. Border Town by Linden Lancaster 2018
Detail 2 ‘Border Town’ by Linden Lancaster